FOR DRIVERS with eyes peeled wide open, the canyon of the Arkansas
River between Salida and Cañon City usually has bighorn sheep.
They're not like the sheep along Interstate 70 near Georgetown, which
at times graze nearly to pavement's edge. But the sheep are there,
little patches of white against the morning sun, coming down amid the
rocks to the river to drink.
An artist could no doubt portray this scene in a painting worthy of
a bank lobby. "Sheep Descending to Water," might be the
title. Such a painting could be wonderful art. But the more pressing
question is whether the sheep can live with art.
The answer to this question about bighorn sheep could determine
whether and how the fabric unfurls in the summer of 2011. What provokes
this question, of course, is the fabric canopy called "Over the
River" being proposed by Christo and his artist-in-arm,
Jean-Claude, which would temporarily convert stretches of the river in
an area now designated as Bighorn Sheep Canyon into an art gallery.
BIGHORN SHEEP have long captured the imagination of Coloradans and
visitors. The explorer Zebulon Montgomery Pike, in a January 1, 1807,
journal entry mentioned coming across a bighorn ram killed by another
member of his party near the Royal Gorge.
Forty years later, the traveler George Frederick Ruxton reported
the sheep were generally very abundant in all parts of the Rocky
Mountains, but particularly in the vicinity of South Park and the Wet
Mountains. At least in earlier times, bighorn sheep were more plentiful
east of the Continental Divide, because of less snow. Visiting in 1869,
naturalist W.H. Brewer remarked that trails were found on all ridges
extending into South Park.